The Terminal: not just a Spielberg movie but architecture at extremes (Denver, CO)
The Wright Brothers flew for the first time in 1903, then moved inland to set up their first airfield, a century ago in 1904. This was the 84 acre Huffman Prairie, a cow pasture near their home town of Dayton, Ohio. Here the first-ever passenger and cargo flights took place. Huffman Prairie eventually led to a phenomenon of today such as Denver Airport, Colorado, with its signature white-peaked tented terminal roof, designed by architects Fentress Bradburn. The terminal is huge but the entire airport, a key North American hub, is huger. It is by no means the busiest in the world (Heathrow and Atlanta dispute that accolade), but it is the largest. Denver airport had cost $3.3 billion by the time its first phase was opened in 1995, and it is designed to more than double in size. It has six runways, none of which intersect, and will eventually have 13. It covers 53 square miles. That is twice the area of Manhattan and 400 times the size of Huffman Prairie. The question is, what happens now? A surprising number of people apparently live unofficially in airports, despite all the surveillance. Spielberg's Navorsky character is very loosely based on the real-life case of Merhan Karmimi Nasseri, an Iranian asylum-seeker victim caught up in Kafka-esque bureaucracy. Nasseri has been living in Paris Charles de Gaulle airport since 1988. He is free to leave now but chooses not to: it is his home.
Spielberg and his writers develop this into the notion of an airport as that old movie stand-by, a microcosm of society. The coming and going of planes scarcely matters: it exists as an organism in its own right. This is surely correct. Good architecture should be flexible enough to do anything. Its greatest challenge is for real architects to do what the magic-dust of movies can do: make airports more human. That means thinking of them as real villages, towns and cities, not isolated holding-pens. It is quite some task for the airport architects and designers of the 21st century.







